Visited a fantastic school art exhibition last night at Wellacre Academy. I took many photographs and wrote a short review that has been published on AWAH blog website #http://www.artwithaheart.org.uk/wellacre-academy-exhibition/blog/
Here's a few pictures of some of my most favorite pieces.
Friday, 20 June 2014
Altrincham Open exhibition
Finished wares in Porcelain for exhibiting in July
Taken out of my kiln yesterday. Fired to 1200 and soaked for 15 mins.
Taken out of my kiln yesterday. Fired to 1200 and soaked for 15 mins.
Sunday, 15 June 2014
In Bloom
I have created some porcelain sculptures for the Altrincham 'In Bloom' exhibition.
These sculptures have been created by using the pinch pot method, paddling and hand building.They have been fired to 1000c. and will be paintd and glazed today, ready to be fired to 1220c tomorrow.
Forget-me-nots
Edelweiss
Edelweiss
Pansies
'In Bloom' collection
Coloured and glazed samples fired to 1220c soak for 10 mins.
Moss using blue/green velvets
Petals using a mix of red and a little blue
Small petals using navy blue and white mix.
These sculptures have been created by using the pinch pot method, paddling and hand building.They have been fired to 1000c. and will be paintd and glazed today, ready to be fired to 1220c tomorrow.
Forget-me-nots
Edelweiss
Edelweiss
Pansies
'In Bloom' collection
Moss using blue/green velvets
Petals using a mix of red and a little blue
Small petals using navy blue and white mix.
Friday, 9 May 2014
Porcelain Edelwiess
The next exhibition I will be entering is the In Bloom exhibition held at Art With a Heart gallery in Altrincham.
Inspired by the Edelweiss flowers that I found in the Alpine mountains of Zermatt, Switzerland.
I have a bag of porcelain to work with. yummy.. So I sculpted a ball of the clay using the pinch method and used a wooden baton to help its form. When it was leather hard, I carved some apertures to make it more interesting. I then sculpted some Edelweiss flowers, scored and slipped to fix it onto the main sculpture. When dried, I fired it to bisquit firing and here you go.
As this is just a sample, I will add some yellow and green to the center using underglaze and then give it a coat of clear glaze, fire to 1200 and see what happens.
Here's some samples after glazing to 1200, soak 15 mins
Nor bad !!!
Inspired by the Edelweiss flowers that I found in the Alpine mountains of Zermatt, Switzerland.
I have a bag of porcelain to work with. yummy.. So I sculpted a ball of the clay using the pinch method and used a wooden baton to help its form. When it was leather hard, I carved some apertures to make it more interesting. I then sculpted some Edelweiss flowers, scored and slipped to fix it onto the main sculpture. When dried, I fired it to bisquit firing and here you go.
As this is just a sample, I will add some yellow and green to the center using underglaze and then give it a coat of clear glaze, fire to 1200 and see what happens.
Here's some samples after glazing to 1200, soak 15 mins
Nor bad !!!
Thursday, 8 May 2014
Pretty Flowers
Painted these pretty flowers today, it was such a grey day, the colours lifted my spirits.I hope they really lift yours !
Hand painted using traditional Chinese Inks and Chinese methods.
Hand painted using traditional Chinese Inks and Chinese methods.
Monday, 21 April 2014
Trafford Schools Open
Working on the next Trafford Schools Open with Art With a Heart gallery. I will be recruiting North Trafford schools to submit work for the next exhibition. Really excited to see their new work.
So we took out an advertisement in the local paper.
So we took out an advertisement in the local paper.
Saturday, 12 April 2014
Erotic sculpture making
Nymphicus making.
The initial sketch for this sculpture is pinned on the board behind .
I then used chocolate black clay and wrapped it around the torso, using slip to securely join them together.
The final sculpture was fired to 1040c, low firing. Vent plugs out for the first 5 hours
There are some more images of these sculptures in earlier posts.
The initial sketch for this sculpture is pinned on the board behind .
First I made her legs using studio white earthenware, then the torso. I hollowed all the pieces seperately then joined them together when they were leather hard using slip.
I then used chocolate black clay and wrapped it around the torso, using slip to securely join them together.
I then pierced some small holes in the torso to insert the chocolate black roots.
The final sculpture was fired to 1040c, low firing. Vent plugs out for the first 5 hours
There are some more images of these sculptures in earlier posts.
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